Edmund Husserl (1859—1938) Although not the first to coin the term, it is uncontroversial to suggest that the German philosopher, Edmund Husserl (1859-1938), is the “father” of the philosophical movement known as phenomenology. Phenomenology can be roughly described as the sustained attempt to describe experiences (and the “things themselves”) without metaphysical and theoretical speculations. Husserl suggested that only by suspending or bracketing away the “natural

Epistemic Modality Epistemic modality is the kind of necessity and possibility that is determined by epistemic constraints. A modal claim is a claim about how things could be or must be given some constraints, such as the rules of logic (logical modality), moral obligations (deontic modality), or the laws of nature (nomic modality). A modal claim is epistemic when these constraints are epistemic in nature,

Pragmatism Pragmatism is a philosophical movement that includes those who claim that an ideology or proposition is true if it works satisfactorily, that the meaning of a proposition is to be found in the practical consequences of accepting it, and that unpractical ideas are to be rejected. Pragmatism originated in the United States during the latter quarter of the nineteenth century. Although it has significantly

Care Ethics The moral theory known as “ the ethics of care” implies that there is moral significance in the fundamental elements of relationships and dependencies in human life. Normatively, care ethics seeks to maintain relationships by contextualizing and promoting the well-being of care-givers and care-receivers in a network of social relations. Most often defined as a practice or virtue rather than a theory as

Aztec Philosophy Conquest-era Aztecs conceived philosophy in essentially pragmatic terms. The raison d’etre of philosophical inquiry was to provide humans with practicable answers to what Aztecs identified as the defining question of human existence: How can we maintain our balance while walking upon the slippery earth? Aztec philosophers addressed this question against an assumed metaphysics which held that the cosmos and its human inhabitants are

The Value of Art Philosophical discourse concerning the value of art is a discourse concerning what makes an artwork valuable qua its being an artwork. Whereas the concern of the critic is what makes the artwork a good artwork, the question for the aesthetician is why it is a good artwork. When we refer to a work’s value qua art, we mean those elements of