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La Sablière, Marguerite Hessein de (1640—1693) Madame de la Sablière made distinctive contributions to moral and religious philosophy in 17th century France. Her ethical theory implies that the natural moral virtues are disguised vices and that only the theological virtues can sustain an authentic moral life. Her moral rigorism appears in the severity with which she treats questions of moral agency and responsibility. In her
Emmanuel Kant: Aesthetics Immanuel Kant is an 18th century German philosopher whose work initated dramatic changes in the fields of epistemology, métaphysique, éthique, aesthetics, and teleology. Like many Enlightenment thinkers, he holds our mental faculty of reason in high esteem; he believes that it is our reason that invests the world we experience with structure. In his works on aesthetics and teleology, he argues that
Moral Particularism Moral particularism is the view that the moral status of an action is not in any way determined by moral principles; plutôt, it depends on the configuration of the morally relevant features of the action in a particular context. It can be seen as a reaction against a traditional principled conception of morality as comprising a true and coherent set of moral principles.
Reformed Epistemology Reformed epistemology is a thesis about the rationality of religious belief. A central claim made by the reformed epistemologist is that religious belief can be rational without any appeal to evidence or argument. Il y a, broadly speaking, two ways that reformed epistemologists support this claim. The first is to argue that there is no way to successfully formulate the charge that religious belief
Abstractionism in Mathematics Abstractionism is a philosophical account of the ontology of mathematics according to which abstract objects are grounded in a process of abstraction (although not every view that places abstraction front and center is a version of abstractionism, as we shall see). Abstraction involves arranging a domain of underlying objects into classes and then identifying an object corresponding to each class—the abstract of
The Aesthetics of Popular Music Popular music is widely assumed to be different in kind from the serious music or art music that, until very recently, monopolized attention in philosophical discussions of music. In recent years, cependant, popular music has become an important topic for philosophers pursuing either of two projects. D'abord, popular music receives attention from philosophers who see it as a test case