Designing an Artificial Language: Universals:
Recommended Reading
Autore: Rick Morneau
Data della SM: 07-28-1994
Data FL: 02-01-2019
Numero FL: Florida-000059-00
Citazione: Morneau, Rick. 1994. “Designing an Artificial
Language: Universals: Recommended
Reading.” Florida-000059-00, Fiat Lingua,
2019.
Diritto d'autore: © 1994 Rick Morneau. Questo lavoro è concesso in licenza
sotto un'attribuzione Creative Commons-
Non commerciale, senza derivati 3.0 Licenza non trasportata.
http://creativecommons.org/licenses/by-nc-nd/3.0/
Fiat Lingua è prodotto e gestito dalla Language Creation Society (LCS). Per maggiori informazioni
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Designing an Artificial Language:
Universals: Recommended Reading
by Rick Morneau
aprile, 1992
Revised July 28, 1994
Copyright © 1992, 1994 by Richard A. Morneau,
all rights reserved.
Primo, a little history. Somewhere around 1966, a well-know linguist named Joseph Greenberg
published a few books on the subject of “language universals”. He was well-known and highly
regarded for his earlier work in classifying African languages. (His most recent work, classifying
the native languages of the Americas, is also highly regarded, but much more controversial than
his earlier work. The controversy rages on.) Although sporadic work had been done in universals
before Greenberg, he not only brought it all together, but he also did a lot of original work
himself.
Fondamentalmente, work in linguistic universals tries to find patterns that exist across all natural
lingue. As it turns out, many universals are not truly universal, since exceptions to most
patterns can often be found (these exceptions, Tuttavia, often indicate that a language is
undergoing a change from one pattern to another). Indipendentemente, these patterns or tendencies can
often reveal a lot about how languages change and, more importantly, how change can be limited
into following along certain channels. The forms that human languages can take are actually
quite limited, and the study of universals can show us what these limitations are.
A study of linguistic universals can also be helpful to conlangers. This is especially true if you
are trying to develop a language that is quite different from the natural language(s) you are
familiar with. A study of universals can help you design a language that ends up being speakable;
cioè., one that is compatible with the grey stuff we’ve all got between our ears. If you “break the
regole”, per così dire, your language may end up being unlearnable in any real sense, and will end
up being just a coding game rather than a real language.
BENE, for those among you who are interested in learning more about linguistic universals, Qui
are some introductory books that you might want to have a look at:
1. Language Universals and Linguistic Typology: Syntax and
Morphology [2a ed.] by Bernard Comrie, Chicago University
Press, 1989, paper $14.95. This is probably the best introduction to universals for the non-linguist. Unlike most linguists, Comrie writes clearly and doesn’t try to impress the reader with paragraph-length sentences. (I recently joked with a colleague of mine who is a professional linguist. I told her that Greenberg 1 forgot the most important linguistic universal of all: Linguists can’t write! In a sort of round- about way, she actually agreed with me! As it turns out, Anche se, this is a tendency, rather than an absolute universal. Greenberg himself is quite a good writer. IMHO 🙂 2. Typology and Universals, by William Croft, Cambridge University Press, 1990, paper $17.95.
I recommend this book only if you have a fairly good background in linguistics. Croft takes
some of the earlier work done by typologists (especially Greenberg, Comrie, Givon, Bybee and
Hawkins) and expands upon it in very insightful ways. I suggest you read Comrie’s book before
you read this one. By the way, Croft is a former student of Joseph Greenberg.
The following three books go into detail about three specific aspects of language. The titles
should be self-explanatory. All of them are quite readable.
3. Teso, by Bernard Comrie, Pressa dell'Università di Cambridge,
1985, paper $14.95. 4. Aspect, by Bernard Comrie, Pressa dell'Università di Cambridge, 1976, paper $16.95.
5. Mood and Modality, by F. R. Palmer, Cambridge University
Press, 1986, paper $17.95. The following two volumes are actually a study of the syntax of natural language and the many forms it can take. Tuttavia, the books are so heavily loaded with typological comparisons that they almost provide a complete course in typology. They are also quite readable, and I highly recommend them: 6. Syntax: A Functional-Typological Introduction, by T. Givon, John Benjamins Publishing Company, Volume I, 1984, paper $24.95
Tomo II, 1990, paper $24.95 Finally, I mention the following three volumes with some reluctance: 7. Language Typology and Syntactic Description, edited by Timothy Shopen, Pressa dell'Università di Cambridge, 1985, Volume I: Clause Structure, paper $29.95
Tomo II: Complex Constructions, paper $27.95 Volume III: Grammatical Categories and the Lexicon, paper $29.95
I am reluctant to recommend the above because I found most of the papers disappointing.
Tuttavia, there are a few very good ones in the set. If you’ve got the bucks and the time to wade
through a total of almost 1100 pages, then buy them.
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All of the above books are also available in hardcover for the wealthy. Prices are in US dollars
and may have changed by the time you read this. Addresses in the United States are:
Pressa dell'Università di Cambridge
110 Midland Avenue
Port Chester, NY 10573
Stampa dell'Università di Chicago
11030 S. Langley Avenue
Chicago, IL 60628
John Benjamins Publishing Company
821 Bethlehem Pike
Filadelfia, PA 19118
If you do order directly from the publisher, don’t forget to add a few bucks for postage and
handling.
End of Essay
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